﻿<?xml version="1.0" encoding="utf-8"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><ttl>60</ttl><title>Voice on the River</title><link>http://voice.srmoser.com</link><lastBuildDate>Wed, 10 Mar 2010 08:12:57 GMT</lastBuildDate><pubDate>Wed, 10 Mar 2010 08:12:57 GMT</pubDate><language>en</language><copyright /><itunes:subtitle> </itunes:subtitle><itunes:author /><itunes:summary /><description /><itunes:owner><itunes:name /><itunes:email>more.info@srmoser.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Arts" /><item><title>GoodWord Fairy</title><link>http://voice.srmoser.com/2006/10/22/autorecoversave.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description>With tears in her voice, a friend lamented the loss of 45 minutes of writing when the power flickered and her computer shut off. These instructions are tailored specifically to Microsoft Word; however most computer-based word processing programs have similar features. Don't miss the bonus at the bottom!</description><category>Resources</category><category>General</category><comments>http://voice.srmoser.com/2006/10/22/autorecoversave.aspx#Comments</comments><guid isPermaLink="false">b5ace420-762b-49a1-bd4f-0af4feff73fe</guid><pubDate>Mon, 23 Oct 2006 02:44:00 GMT</pubDate></item><item><title>Morse Code—Part I: Dots</title><link>http://voice.srmoser.com/2006/10/12/morse-codepart-i-dots-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
Casual use has eroded both form and function of the ellipsis. An ellipsis is a printing mark used to indicate the omission of one or more words from a sentence or quote, especially when the omitted text can be understood from the context or isn't specifically relevant to the passage. Learn how to recognize the elusive ellipsis.
</description><category>Technical</category><category>Poetry</category><category>Nonfiction</category><category>Fiction</category><comments>http://voice.srmoser.com/2006/10/12/morse-codepart-i-dots-2.aspx#Comments</comments><guid isPermaLink="false">b88c4b00-2432-41ed-ad33-654958c6c84e</guid><pubDate>Fri, 13 Oct 2006 04:40:00 GMT</pubDate></item><item><title>Saving Graces Daily</title><link>http://voice.srmoser.com/2006/10/05/saving-graces-daily-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
I really, really needed this today: The discovery of &lt;em&gt;H_NGM_N&lt;/em&gt; and a few lines by poet Brad Liening. The lead-and-pace, Liening does this so well. The images are crisp, anything but disjointed and abstract, even when they capture the chaos of connections. Oh, and I don't know what the old site for &lt;em&gt;H_NGM_N&lt;/em&gt; looked like. I know I like the new one.
</description><category>Poetry</category><category>General</category><comments>http://voice.srmoser.com/2006/10/05/saving-graces-daily-2.aspx#Comments</comments><guid isPermaLink="false">424f6ae6-564c-47fb-b76e-27fca247edfe</guid><pubDate>Fri, 06 Oct 2006 03:43:00 GMT</pubDate></item><item><title>Sinful Editing</title><link>http://voice.srmoser.com/2006/09/29/sinful-editing-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
I've recently heard some first- and second-hand nightmares that make me cringe. It's enough to make any writer squeamish. These, I hope, are the exception. I believe agents and editors want success for the authors with whom they work.
What can writers do to ward off experiences like these? Drop the garlic necklace. I've got better advice.

</description><category>Nonfiction</category><category>Poetry</category><category>General</category><category>Fiction</category><comments>http://voice.srmoser.com/2006/09/29/sinful-editing-2.aspx#Comments</comments><guid isPermaLink="false">e36aefe3-711a-4678-99fc-5993db228400</guid><pubDate>Fri, 29 Sep 2006 23:50:00 GMT</pubDate></item><item><title>Glyph, Free-Range: Arts Awareness—Advanced</title><link>http://voice.srmoser.com/2006/09/21/glyph-freerange-arts-awarenessadvanced-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
Another installment of resources for artists, particularly writers. Ever wish you knew whether there was an association of a particular kind for literary pursuits? Here's a great resource for you…
</description><category>Resources</category><comments>http://voice.srmoser.com/2006/09/21/glyph-freerange-arts-awarenessadvanced-2.aspx#Comments</comments><guid isPermaLink="false">82a09d1d-4094-4566-bb96-8fcb67bd5759</guid><pubDate>Fri, 22 Sep 2006 00:15:00 GMT</pubDate></item><item><title>Glyph, Free-Range: Arts Awareness Basics</title><link>http://voice.srmoser.com/2006/09/15/glyph-freerange-arts-awareness-basics-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
Some of us like to network with others and some of us prefer to keep to ourselves. No matter where your personality glyph is stuck on the sociability spectrum, you ought to be aware of resources that are available to you.
</description><category>Resources</category><comments>http://voice.srmoser.com/2006/09/15/glyph-freerange-arts-awareness-basics-2.aspx#Comments</comments><guid isPermaLink="false">14fde24d-912c-40d7-80c6-250809affc50</guid><pubDate>Fri, 15 Sep 2006 23:08:00 GMT</pubDate></item><item><title>Into Shape(s): Blocks and a Rectangle</title><link>http://voice.srmoser.com/2006/09/08/into-shapes-blocks-and-a-rectangle-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
During the past year, I’ve purchased three compact, portable tools for inner gear lubrication. These tools aren’t just for traditional writers. I know a couple of bloggers who continually seek inspiration for their next post. (The Writer's Block; Creative Block; The Observation Deck.)
</description><category>Resources</category><category>General</category><comments>http://voice.srmoser.com/2006/09/08/into-shapes-blocks-and-a-rectangle-2.aspx#Comments</comments><guid isPermaLink="false">3b021ef5-3246-426e-9634-2eeb2488a85a</guid><pubDate>Fri, 08 Sep 2006 22:29:00 GMT</pubDate></item><item><title>Credibility in Jeopardy—Part II: Writers</title><link>http://voice.srmoser.com/2006/09/01/credibility-in-jeopardypart-ii-writers-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
If a writer is willing to give birth to a fake press to appear to have been published by anything other than a vanity press, I’d say there’s something seriously askew with the writer’s motives. Why is it that you write? Will you continue to write if your work is never published?

</description><category>General</category><comments>http://voice.srmoser.com/2006/09/01/credibility-in-jeopardypart-ii-writers-2.aspx#Comments</comments><guid isPermaLink="false">7f2d8d01-7d0e-4535-85b5-dd33ebf7d1f1</guid><pubDate>Fri, 01 Sep 2006 22:23:00 GMT</pubDate></item><item><title>Credibility in Jeopardy—Part I: Publishers</title><link>http://voice.srmoser.com/2006/08/25/credibility-in-jeopardypart-i-publishers-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
What are the motives of publishers? Each journal or press represents the whole of publishing. While feather collecting is fine for one's wardrobe, to commit one's energy and time to the success of others, to promoting the passions of others, is to hold in one's hands the delicate reality of dreams and hopes.
</description><category>General</category><comments>http://voice.srmoser.com/2006/08/25/credibility-in-jeopardypart-i-publishers-2.aspx#Comments</comments><guid isPermaLink="false">2dceeaf9-a2d5-46e7-a839-1f62d9515c6e</guid><pubDate>Fri, 25 Aug 2006 21:20:00 GMT</pubDate></item><item><title>Are You Giving Away Your First Print/Publishing Rights?</title><link>http://voice.srmoser.com/2006/08/18/are-you-giving-away-your-first-printpublishing-rights-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
Be aware of the choices you’re making. Whatever reasons you have for sharing your work publicly are&amp;hellip;well, yours. There’s nothing wrong with sharing your work online when you’re aware of the ramifications.
</description><category>Technical</category><category>Poetry</category><category>Nonfiction</category><category>Fiction</category><comments>http://voice.srmoser.com/2006/08/18/are-you-giving-away-your-first-printpublishing-rights-2.aspx#Comments</comments><guid isPermaLink="false">4195fd3e-fa30-428f-b272-fda0a69bbe4c</guid><pubDate>Fri, 18 Aug 2006 23:09:00 GMT</pubDate></item><item><title>Once Upon a Contrast: Then versus Than</title><link>http://voice.srmoser.com/2006/08/11/once-upon-a-contrast-then-versus-than-2.aspx?ref=rss</link><dc:creator>VoiceOnTheRiver</dc:creator><description> 
I’ve got a simple trick for remembering the difference between &lt;em&gt;then&lt;/em&gt; and &lt;em&gt;than&lt;/em&gt;&amp;hellip;
</description><category>Technical</category><category>Poetry</category><category>Nonfiction</category><category>Fiction</category><comments>http://voice.srmoser.com/2006/08/11/once-upon-a-contrast-then-versus-than-2.aspx#Comments</comments><guid isPermaLink="false">092ac309-a427-47f7-86be-e5709e1b591d</guid><pubDate>Fri, 11 Aug 2006 23:16:00 GMT</pubDate></item></channel></rss>